What’s missing from Alex Garland’s Iraq movie Warfare? Context, motivation and, for the most part, Iraqis | Peter Beaumont

Peter Beaumont - TheGuardian - 21/04
I was there with US soldiers in 2006 and can see why the film-makers zoomed in on them so closely. But it results in glaring flaws, says Guardian senior international correspondent Peter Beaumont

Think back to 2006. Iraq was at the peak of its conflicts. A horrific sectarian war was raging, and al-Qaida in Iraq and other insurgent groups, both Sunni and Shia, held sway in substantial areas of the country.

Suicide bombers and IEDs were a daily occurrence targeting both Iraqis and foreign forces, and in cities and towns from Fallujah and Ramadi, to Baqubah and Mosul, US troops were engaged in urban warfare. It was as much about ambush and hit-and-run attacks as about formal battles.

Alex Garland’s new film Warfare is a re-enactment of one of these clashes – the final days of the battle of Ramadi. Garland and his co-director, former US Navy Seal Ray Mendoza, who fought during the engagement, have made much of their desire for authenticity. Their film is based, they say, as accurately as possible on the memori...
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